I’ve often wished life had background music. The universe couldn’t give me that, so it gave me the next best thing: fantasy music and ambience playlists on YouTube.
While there’s nothing like picking up a good book to get lost in an interesting world, there’s work to be done. You can’t read and work at once. But you can put on a “Magic Library – Fantasy Music For Inspiration” playlist in the background and pretend you’re a scholar investigating some arcane magic system rather than a college student completing a boring assignment.
But of course, you don’t have to be work on something to enjoy curated soundscapes. You could play Dungeons & Dragons (or any number of other games) to this music—or pick up an immersive fantasy series, made even more realistic by the background soundscape. Here are some music and ambience playlists for five of my favorite fantasy stories.
Northern Lights by Philip Pullman
The first book of Pullman’s His Dark Materials trilogy, Northern Lights (published as The Golden Compass in North America) takes us from an alternate Oxford to the North Pole as we accompany young Lyra and her dæmon Pantalaimon on a mission to rescue their missing friend Roger from the sinister Gobblers, who have much nastier aims than simply kidnapping kids.
I’d been meaning to read this book for months but didn’t pick it up until the height of winter—I like my books to match the weather outside. We don’t get snow here in New Delhi, let alone any fantastic phenomena like the aurora borealis. But that was pretty easy to forget once I started reading the novel, accompanied by this “Cold/Arctic: Ambiences” playlist produced by Michael Ghelfi Studios. If you prefer music that takes you to a world that’s not quite our own, I recommend this winter music playlist by Blue Turtle.1
Lockwood & Co. series by Jonathan Stroud
One of my favorite fantasy series of all time, Lockwood & Co. is the story of a world where the dead have been returning as ghosts every night—ghosts that are very, very deadly and can be perceived only by kids and teenagers. Instead of joining the big companies that specialize in ghost-hunting, Anthony Lockwood runs his own amateur agency with his associates Lucy Carlyle and George Cubbins. As teenagers are wont to do (especially charming, cocky teens like Lockwood), they get into all sorts of trouble, finding themselves in precarious situations that are a perfect balance of funny and frightening—and at times, strike a deeply empathetic note too.
Now that the series has been (excellently) adapted by Netflix, we have a soundtrack for the show that you can listen to while reading the books. However, the first season of the show covers only the first two novels (and sadly, it was just announced that there will not be a second season) so there are plenty of other locations for which we don’t have official music. I recommend the following:
- “Haunted Mansion” by Ambience Lab
- “trick or treat” by The Jazz Hop Café
- “
Spooky Ambience” playlist by The Vault of Ambience
The Memoirs of Lady Trent by Marie Brennan
If you haven’t already read this fantastic series following the in-world memoirs of a top dragon naturalist, then consider listening to the audiobooks, narrated by Kate Reading (who has also narrated, with husband Michael Kramer, the Stormlight Archive audiobooks). With Reading’s narration, it’s easy to forget you’re listening to an audiobook. Instead, it feels like you’re hearing Isabella, Lady Trent describe how she grew to love dragons so much that she was willing to go to some very ridiculous and dangerous (and ridiculously dangerous) lengths to study them—and somehow made it out alive.
But if audiobooks aren’t your thing, there’s still a lot you could listen to while reading the books. For starters, there’s the music that Brennan played in the background while writing each of the five books in the series. (You can also find the soundtracks for her other books at the link). And here are some recommendations for setting-specific ambiences:
- A Natural History of Dragons – “Victorian Naturalist’s Library/Study & Laboratory”, “Sword Mountains” and “The Highest Peak”
- The Tropic of Serpents – “Tropical Swamp”
- Voyage of the Basilisk – “Sailing Ship”, “Tropical Coast” and “Dinosaur Jungle”
- In the Labyrinth of Drakes – “Ottoman Courtyard Garden & Fountain” “Desert Temple” and “Desert Ruins”
- Within the Sanctuary of Wings – “Propelled Airship”, “Mountain Village” and “Winter Wonderland”
The Tea Dragon Society by Kay O’Neill (sometimes credited as Katie or K. O’Neill)
The Tea Dragon books are one of my favorite comfort reads, set in a gentle world where people take care of the titular tea dragons and enjoy cute little tea parties in colorful town squares and enviably pretty cottages. You can’t read the books and not have an urge to immediately go on a picnic and frolic in a park.
But if that’s not an option, you can instead make yourself a cup of tea while playing “Tea Party ASMR Ambience” in the background. There’s also “Enchanting Fairy Cottage in the Middle of the Forest.” If you prefer lofi, check out “follow your heart,” a Studio Ghibli-inspired mix by the Jazz Hop Café.
Brandon Sanderson’s Cosmere Novels
There are so many music and ambience playlists I could recommend for Sanderson’s books, which I had to include because it was the worldbuilding in the Shallan and Jasnah chapters in The Way of Kings that inspired me to want to make my college life in lockdown more tolerable.
For the Stormlight Archive books, there’s the official Kaladin Soundtrack by the Black Piper, which covers The Way of Kings, if you prefer music. For ambience, I can’t recommend Michael Ghelfi Studios enough. Many people use the music and ambience playlists on this channel for tabletop RPGs, but I’ve found them excellent for studying, writing, and reading. At this point, Ghelfi’s made so many specific ambiences that you won’t have a hard time finding a “Medieval Harbour” ambience that will remind you of Kharbranth’s ports, a “Rooftops of the City” or an “Evening in the City” ambience to help you follow Vin and Kelsier as they sneak across Luthadel at night, or a “Steam Train” ambience to bring to life Wax and Wayne’s chase of the Vanishers. Think of almost any location from Sanderson’s Cosmere books and you’ll probably find an ambience to match it.
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In fact, if you dig deep enough, you’ll find something to match your real life too, and then reality might finally be as interesting as fantasy…
Ratika Deshpande, Order of Truthwatchers, aspiring Keeper, is a freelance writer based in New Delhi, India. You can find her writing on books, writing, and other nerdy miscellany on her website.
[1]While you’re there, I highly recommend checking out the other playlists on the channel, as well as Blue Turtle’s Patreon, where they’re building a world in which Ithya, an “Elementalist”, goes on adventures in coastal villages and secret forests, doing her research in magic libraries and taking breaks in cozy taverns on rainy days. The illustrations are fantastic too. https://www.patreon.com/blueturtle
I enjoyed the season premiere of Grimm overall. I’m not sure about the new title sequence either I keep skipping the narration. If you hadn’t told the Captain is half hexen beast I wouldn’t have known it. Wasn’t he more fuchbau last season of “foxy” last season? I can’t wait to see what they do with Hank next week cause dude is going to be flying off the rails soon. I wish Once Upon a Time had started already I can’t wait to see what happens next.
Yeah, these two episodes were awesome. I can’t wait to see what happens next!
I didn’t think Nick could save Juliette, which is why Rosalee didn’t think of the pure of heart potion. After all, Renard is from a Royal Family. He is a prince. And who wakes Sleeping Beauty? A prince. Who wakes Snow White? A prince. I think they’re taking that literally. Only a member of the royal family can wake someone from that spell.
After all, Adalind’s mom told Nick’s mom that they couldn’t save Nick, only he (alluding to Renard) can. So I just assumed one had to be a prince, plus pure of heart. So Renard had to take the potion to make magic pure of heartness and wake Juliette, because Nick couldn’t.
See, I immediately thought hexenbeist when Renard morphed, so I thought they telegraphed that one fairly well.
And I get the general fear of memory loss, but I almost always cry foul on magical memory loss after a major character to character reveal. It feels like cheating and being able to wipe the slate clean (if you’ll pardon the phrase) if you screw it up. Just leaves a bad taste in my mouth.
I did like the way they managed to hide Bree Turner’s advanced state of pregnancy… most of the time. There were a few scenes where they thought clothing or angles would hide it, and they were wrong.
Ha! That was a perfect description of the new opening credits. I hope they change it back, lol. Also, when did they elude the captain is a hexanbeast? I didn’t think he looked like that in the transformation and I thought they could only be female anyway.
Thanks for the good summary and review :)
A good start to the season.
The opening credits scream “some network executive didn’t think that the audiance could figure things out or look things up on the web.”
Definitely don’t like the new opener. That tacky voiceover! Oy.
Thought the second half of the two-parter was dull and clumsy. I’m glad Adelind’s mother got taken out, though.
Bittersweet Fountain @3 – Good point re: him being a prince. I guess, though, that with everything on this show being symbolic (after all Nick was the “prince” who had to save Juliette, the “princess” from the dragon in the ep with the daemon fuhrer), an actual prince being needed to resusitate Juliette seemed a bit to on-the-nose. But it’s certainly possible.
Xopher @7 – I just want them to bring Adalind back, and soon! I miss her already! :)
When the show started, I thought it was very clunky and most of all cliche, but I pushed through and it got rather interesting, near the end things got rather tense. It seems to me that S2 kind of starts of clunky as well and weirdly very soapy for only a second season of a show.
Nick’s mother might be written well, but her isnertion into the story is again clunky to me. It seems like the writers of this show are rather new to the whole writing buisness, so it takes a while to get into original premises and interesting character development.
The show is ok, maybe for obvious comparisson – it’s very much below the best of Supernatural, but better than the worst in Supernatural. Comparing the 1st seasons, SN is definitely better.
I completely agree about the new opening sequence. It’s very early Buffy-esque, and it was annoying then, as it’s annoying now. However, that is not my largest problem with the premier of Grimm. Am I seriously the only one who was yelling at Nick not to trust his mom so easily? If I were him, I would not have taken her to the trailer, I would not have shown her where the coins were -much less GIVEN them to her!- and I CERTAINLY would not have shown her the key his aunt told him to hide from EVERYBODY at ALL COSTS. I mean, sure, she’s his mom, but she abandoned him eighteen years ago, shows up out of the blue, attacks his friend, and he just decides to trust her with all his secrets? Come on!
Oh, and as for Captain Renard? I wasn’t sure, but I immediately guessed hexenbeist too, cause of the funky mouth thing.